14–18 Griselda Pollock i Richard Kendall (redakcja), Dealing with Degas: Representations of Women and the Politics of Vision, London: Pandora Books, 1992 (obecnie Rivers Oram Press) Avant-Garde Gambits: Gender and the Colour of Art History, London, Thames and Hudson, 1993 Griselda Pollock (redakcja), Generations and Geographies: Critical Theories and Critical Practices in Feminism and the Visual Arts, Routledge, 1996, wspólnie z Fredem Ortonem, Avant-Gardes and Partisans Reviewed, Manchester University Press, 1996, The Ambivalence of Pleasure, Getty Art History Oral Documentation Project, wywiad z Richard Cándida Smith, Getty Research Institute, 1997 Mary Cassatt Painter of Modern Women, London, Thames & Hudson, „World of Art”, 1998. Griselda Pollock i Richard Thomson (redakcja), On not seeing Provence: Van Gogh and the landscape of consolation, 1888–1889, w: Framing France: The representation of landscape in France, 1870–1914, Manchester University Press, 1998, s. 81–118, Aesthetics. Politics. Ethics Julia Kristeva 1966–96, Special Issue Guest Edited parallax, no.
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