ルカ・フランチェスコーニ（Luca Francesconi、 1956年 - ）は、イタリアの現代音楽の作曲家。現在はスウェーデンで教鞭を取る。
略歴 1996年に山口県に来日した時の自叙では「電子オルガンの伴奏屋からプロのジャズピアニストに転向し、ジャズのフュージョン化に疑問を感じてクラシックの音楽の勉強を一からやり直した」あとで、前衛音楽への道に入った。後にルチアーノ・ベリオの有力アシスタントとして勤務し、アツィオ・コルギ、カールハインツ・シュトックハウゼン他に師事。アゴン・アクスティカ・インフォマティカ・ムジカを創設し、テクノロジーと音楽との関係を探索。その努力は声楽とエレクトロニクスを使った作品「エティモ」に顕著である。
ドイツのダルムシュタットでクラーニヒシュタイン音楽賞を作曲部門で受賞し、1994年にジーメンス音楽賞若手対象奨励賞とイタリア賞を受賞して評価が確定する。早期に国外で仕事をした結果、当然母国よりも海外の支持が上回り、現在も多くの委嘱に答えている。2002年度には、2度目のイタリア賞を受賞する。
セリエルという楽語で表現するのを避けているが、彼の音楽も全ての素材がさまざまな比率の中で蠢く正嫡の現代音楽である。ヴァイオリンソロのための「デュオロン」では、冒頭に提示した音数と休符数の比率が徐々に楽曲を侵食する。しかし、クラシック音楽以外の音楽に詳しかったためか、彼の音楽は時として現代音楽のおとなしさを打破するほどの苛烈なパワーとスピードに満ちており、これは現在の作風にもいえることである。近年は視覚的要素を伴う大作の発表が多い。
主要作品 I Quartetto, per strings, 1977 Passacaglia per grande orchestra, 1982 Concertante per guitar and ensemble,Tanglewood 1982 Viaggiatore insonne per soprano and cinque strumenti (text by Sandro Penna), 1983 Notte per mezzosoprano and 19 instruments (text by Sandro Penna), 1983–1984 Suite 1984 per orchestra, African percussionists and jazz quintet with the Orchestra of the Ente Lirico di Cagliari, the Franco D'Andrea's band and Africa Djolé from Ivory Coast, directed by the composer, 1984 Finta-di-nulla per soprano and 19 instruments (text by Umberto Fiori), 1985 Onda sonante for 8 instruments, 1985 Vertige per string orchestra, 1985 Da capo for 9 instruments, 1985–1986 Encore/Da capo for 9 instruments, 1985–1995 Impulse II per clarinet, violin e piano, 1985, 1995 Al di là dell'oceano famoso, per 8 solo mixed voices, Netherland Radio Chamber Choir, 1985 Secondo quartetto (Mondriaan Quartet) Tracce, per flute, 1985-1987 Plot in fiction per bassoon, English horn and 11 instruments, 1986 Respiro per trombone solo, 1987 Trama per saxophone and orchestra, 1987 Mambo, per pianoforte solo, 1987 Attesa per reed quartet, 1988 La voce, folk song per soprano and 13 instruments (text by Umberto Fiori), 1988 Aeuia per baritono and 11 instruments (based on a text by di Jacopone da Todi), 1989 Les barricades mystérieuses per flauto and orchestra, 1989 Piccola trama per saxophone and 8 instruments, 1989 Richiami II - 1° study on memory, 1989–1992 Memoria per orchestra, 1990 Secondo Concerto for bassoon and chamber orchestra, 1991 Mittel per five moving bands, 1991 Riti neurali, 3° study on memory per violin e 8 instruments, 1991 Islands concerto per piano and chamber orchestra, 1992 Miniature per 16 instruments, 1992 Voci per soprano, violin and magnetic tape (text by Umberto Fiori), 1992 Aria per wind octet, 1993 Plot II per saxophone and 15 instruments, 1993 Risonanze d'Orfeo, suite per wind orchestra from'Orfeo di Claudio Monteverdi, 1993 Trama II per clarinet, orchestra and live electronics, 1993 Terzo quartetto "Mirrors" per strings, Arditti Quartet, De Singel Antwerpen, 1994 Ballata del rovescio del mondo, radio-opera on texts by Umberto Fiori, 1994 Etymo per soprano, chamber orchestra andlive electronic, from Charles Baudelaire, commission by IRCAM per soprano, Ensemble InterContemporain, conductor Pascal Rophé, soprano Luisa Castellani, Klangregie by the composer,1994 A fuoco - 4° study on memory per guitar and ensemble, 1995 Animus per trombone and live electronics, 1995–1996 Inquieta limina. Un omaggio a Berio per ensemble with accordion, 1996 Venti Radio-Lied, radiofilms, texts by Umberto Fiori, with Moni Ovadia e Phillis Blanford1996–1997 Sirene/Gespenster, Heathen Oratorio per female quire in four cantorie, brasses, percussions and electronics, 1996–1997 Striaz, video-opera per 4 female quires and electronic, production Mittelfest/Video: Studio Azzurro, 1996 Ballata, opera, 1996–1999, text by Umberto Fiori from The Rhyme of an Ancient Mariner by Samuel Taylor Coleridge, commission by Théâtre de la Monnaie di Bruxelles, conductor Kazushi Ono per la stage director Achim Freyer Respondit, due madrigals by Carlo Gesualdo transcripted and revised per 5 instruments with an electronic spacing, 1997 Lips, Eyes Bang, per actress/singer, 12 instruments, audio e video in real time, Amsterdam, Nieuw Ensemble, AGON, Studio Azzurro, STEIM, voice Phyllis Blandford, 1998. Memoria II per orchestra, 1998 Wanderer per great orchestra, January 2000 Teatro alla Scala, Milano conductor Riccardo Muti, Filarmonica della Scala Cobalt, Scarlet. Two Colours of Dawn per grande orchestra, 1999–2000 Terre del Rimorso, (finished in 2001), commissione d'État francese per soli, coro e orchestra, per il Festival di Strasburgo, 6 ottobre 2001, SWR Symphonie Orchester e Vokalensemble Stuttgart, direttore Péter Eötvös, 2000-2001 Aria Novella, per double quartet, Parigi, Ensemble Itinéraire, 2001 Let me Bleed, Requiem per Carlo Giuliani per mixed quire a cappella, on texts by Attilio Bertolucci, 2001 Swedish Radio Choir, SWR Vokalensemble Stuttgart, RSO Stuttgart, Eötvös Buffa opera texts by Stefano Benni, singer and actor Antonio Albanese, 2002 Controcanto, ensemble of 10 to 25 instruments, world premiere in Bruxelles, Palais des Beaux-Arts, Ensemble Ictus, conductor Georges-Elie Octors, 2003 Cello concerto "Rest" Quartetto d'archi di Torino, Ensemble Intercontemporain, Orchestra Sinfonica Nazionale della RAI, Pierre Boulez, Roberto Abbado Gesualdo Considered as a Murderer, opera, libretto by Vittorio Sermonti, 2004 Quarto Quartetto I voli di Niccolò, string quartet, commission by Paganiniana 2004, Genova, to Cesare Mazzonis, Arditti Quartet, 2004 Kubrick's Bone, per cimbalom and ensemble, 2005 Accordo reed quintet, Calefax, 2005 Body Electric, per violino and guitar rig e doppio ensemble, Amsterdam, Muziekgebouw, Orkest de Volharding e Doelen Ensemble, conductor Jussi Jaatinen, soloist Irvine Arditti, 2006 Sea Shell per great chorus, on a text by Alceo (translated by Salvatore Quasimodo). Swedish Radio Choir, Stoccolma, 2006 Da capo II, per 8 instruments, Settimane Musicali di Stresa, Ensemble Bit20, conductor J. Stockhammer, 2007 Animus II, per viola e live electronics, Parigi, Ircam Espace de projection, Festival Agora, soloist Garth Knox, commission by Françoise e Jean-Philippe 2007 Strade parallele, for 6 instruments, electronic and video on a text by Norberto Bobbio, Roma, Auditorium Parco della Musica, Ensemble Alter Ego, 2007 Hard Pace; per tromba e orchestra, Roma, Auditorium, Orchestra of Santa Cecilia Academy, soloist Håkan Hardenberger, conductor Antonio Pappano, 2007 Fresco, per cinque bande in movimento, 2007 Unexpected End of Formula, per violoncello, ensemble and elettronica, Koln, WDR FunkHaus, musikFabrik conductor Christian Eggen, soloist DirkWietheger, ZKM live-elektronik, 2008 Animus III, per tuba e live electronics, Colonia WDR FunkHaus, soloist Melvyn Poore, ZKM Live-Elektronik, 2008 Sirènes, per coro misto in five groups, orchestra and electronic, commission by Ircam-Centre Pompidou, 2009 Time, Real and Imaginary, Commande d'État francese per mezzosoprano and four instruments on a text by Samuel Taylor Coleridge, 2009 Attraverso, per soprano and ensemble, Monteverdi celebrations, commission by Music Across Festival of Regione Lombardia and Teatro Ponchielli of Cremona, 2009 Jeu de Musica, per ensemble, Strasbourg, Festival Musica, 2010 Quartett, opera, libretto iwritten in English by the composer, from the pièce by Heiner Müller, commission by Teatro alla Scala, stage direction by La Fura dels Baus, conductor Susanna Mälkki, 2011 Terra, opera-oratorio, libretto by Valeria Parrella, opening of the celebrations for the 150th anniversary of the Italian Republic, Naples, Teatro San Carlo, stage director Jean Kalman, conductor Jonathan Webb, 2011 Herzstück, based on a text by Heiner Müller, commission by Neue Vocalsolisten for the Eclat Festival, 2012 Atopia, oratorio based on text by Piero della Francesca and Calderón della Barca, Madrid, 2012 Piano Concerto, per pianoforte and orchestra, with Nicolas Hodges, Oporto 2013 Duende, The Dark Notes, con Leila Josefowicz, coproduction of Swedish Radio, RAI, BBC Proms, 2014 Dentro non ha tempo, for large orchestra, in memoriam of Luciana Pestalozza, commission by Teatro alla Scala, conductor Esa-Pekka Salonen, 2014 Vertical Invader, concerto grosso for reed quintet and orchestra, Calefax Reed Quintet, Radio Filharmonisch Orkest and Concertgebouw di Amsterdam, Radio Filharmonisch Orkest conducted by Osmo Vänskä, 2015. Bread, Water and Salt, Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia, conductor Antonio Pappano, soprano Pumeza Matshikiza
参考文献 Giancarlo Francesconi, by E. Tadini, Milano, Salone Annunciata, 1959 Sergio Badino, Conversazione con Carlo Chendi. Da Pepito alla Disney e oltre: cinquant'anni di fumetto vissuti da protagonista, Tenué 2006 Ricciarda Belgiojoso, "Note d'autore. A tu per tu con i compositori d'oggi", Postmedia Books, 2013 Guido Barbieri, Francesconi, Luca, Enciclopedia Italiana Treccani - Appendix VII (2007) Luca Francesconi, Les Esprits libres, in VV. AA. La loi musicale – Ce que la lecture de l'histoire nous (dés)apprend, edited by D. Cohen Levinas, Paris, L'Harmattan, 2000 Christopher Thomas, Metier, msvcd 92018, http://www.divineartrecords.com Andrew Clements, Gesualdo Considered as a Murder, The Guardian, Friday 11 June 2004 Quartett - interview to Luca Francesconi, Teatro alla Scala, Season 2010/2011 Alexander Destuet, Quartett de Luca Francesconi: la Fura dels Baus ataca otra vez, La Vanguardia July 3, 2015 Franco Fayenz, Si chiude la ribalta della Scala per Quartett, antologia di soluzioni geniali, Il Sole 24 ore, May 8, 2011 Silva Menetto, Alla Biennale protagonisti il Don Giovanni a Venezia e giovani ensemble da tutta Europa, Il Sole 24 ore, September 30, 2010 Giuseppina Manin, La musica è finita, Corriere della sera, September 16, 2008 Giuseppina Manin, Le mie note sospese per Luciana Abbado, Corriere della Sera, June 12, 2014 Luca Francesconi, Il sacrificio dei musicisti italiani, Milano, 2005 Andrew Clements, Prom 13: BBCSO/Mälkki/Josefowicz review – committed and astoundingly vivid, The Guardian, July 28, 2015 Marie-Aude Roux, Ballata, drame syncretique de Francesconi, Le Monde, November 14, 2002 Luca Francesconi, Cerca e ricerca, Milan 1994 外部リンク1and 外部リンク2 Massimiliano Viel, Incontro con Luca Francesconi: Il calcolo e l'intuizione. L'elettronica come sfida, in Sonus, Materiali per la musica contemporanea, issue n.11, December 1993
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