A 22ª entrega dos premios Óscar tivo lugar o día 23 de marzo de 1950 no RKO Pantages Theatre dos Ánxeles. O mestre de cerimonias foi Paul Douglas. Foi a última edición na que todos os candidatos ao mellor filme foron en branco e negro.
Premios miniatura|150px|Broderick Crawford, mellor actor miniatura|150px|Olivia de Havilland, mellor actriz miniatura|150px|Dean Jagger, mellor actor secundario miniatura|150px|Mercedes McCambridge, mellor actriz secundaria miniatura|150px|Aaron Copland, mellor banda sonora (drama ou comedia) miniatura|150px|Lennie Hayton, mellor banda sonora (musical) miniatura|150px|Cedric Gibbons, mellor dirección artística en cor miniatura|150px|Travilla, mellor deseño de vestiario en cor Os gañadores aparecen en primeiro lugar e en grosas. {| class=wikitable |- ! style="background:#EEDD82; width:50%" | Mellor filme ! style="background:#EEDD82; width:50%" | Mellor director |- | valign="top" | Robert Rossen para Columbia Pictures - All the King's Men Dore Schary para Metro-Goldwyn-Mayer - Battleground William Wyler para Paramount Pictures - The Heiress Sol C. Siegel para 20th Century Fox - A Letter to Three Wives Darryl F. Zanuck para 20th Century Fox - Twelve O'Clock High | valign="top" | Joseph L. Mankiewicz – A Letter to Three Wives Carol Reed – The Fallen Idol Robert Rossen – All the King's Men William A. Wellman – Battleground William Wyler – The Heiress |- ! style="background:#EEDD82" | Mellor actor ! style="background:#EEDD82" | Mellor actriz |- | valign="top" | Broderick Crawford – All the King's Men Kirk Douglas – Champion Gregory Peck – Twelve O'Clock High Richard Todd – The Hasty Heart John Wayne – Sands of Iwo Jima | valign="top" | Olivia de Havilland – The Heiress Jeanne Crain – Pinky Susan Hayward – My Foolish Heart Deborah Kerr – Edward, My Son Loretta Young – Come to the Stable |- ! style="background:#EEDD82" | Mellor actor secundario ! style="background:#EEDD82" | Mellor actriz secundaria |- | valign="top" | Dean Jagger – Twelve O'Clock High John Ireland – All the King's Men Arthur Kennedy – Champion Ralph Richardson – The Heiress James Whitmore – Battleground | valign="top" | Mercedes McCambridge – All the King's Men Ethel Barrymore – Pinky Celeste Holm – Come to the Stable Elsa Lanchester – Come to the Stable Ethel Waters – Pinky |- ! style="background:#EEDD82" | Mellor argumento e guión ! style="background:#EEDD82" | Mellor guión |- | valign="top" | Battleground – Robert Pirosh Jolson Sings Again – Sidney Buchman Passport to Pimlico – T. E. B. Clarke Paisà – Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero e Roberto Rossellini The Quiet One – Helen Levitt, Janice Loeb e Sidney Meyers | valign="top" | A Letter to Three Wives – Joseph L. Mankiewicz Champion – Carl Foreman The Fallen Idol – Graham Greene All the King's Men – Robert Rossen Ladrón de bicicletas – Cesare Zavattini |- ! style="background:#EEDD82" | Mellor argumento ! style="background:#EEDD82" | Mellor curtametraxe de animación |- | valign="top" | The Stratton Story – Douglas Morrow Sands of Iwo Jima – Harry Brown White Heat – Virginia Kellogg Come to the Stable – Clare Boothe Luce It Happens Every Spring – Shirley W. Smith e Valentine Davies | valign="top" | For Scent-imental Reasons Canary Row (candidatura revogada) Hatch Up Your Troubles The Magic Fluke Toy Tinkers |- ! style="background:#EEDD82" | Mellor documental ! style="background:#EEDD82" | Mellor curtametraxe documental |- | valign="top" | Daybreak in Udi Kenji Comes Home | valign="top" | A Chance to Live So Much for So Little 1848 The Rising Tide |- ! style="background:#EEDD82" | Mellor curtametraxe de ficción, un rolo ! style="background:#EEDD82" | Mellor curtametraxe de ficción, dous rolos |- | valign="top" | Aquatic House Party – Jack Eaton Roller Derby Girl – Justin Herman So You Think You're Not Guilty – Gordon Hollingshead Spills and Chills – Walton C. Ament Water Trix – Pete Smith | valign="top" | Van Gogh – Gaston Diehl e Robert Hessens The Boy and the Eagle – William Lasky Chase of Death – Irving Allen The Grass Is Always Greener – Gordon Hollingshead Snow Carnival – Gordon Hollingshead |- ! style="background:#EEDD82" | Mellor banda sonora, comedia ou drama ! style="background:#EEDD82" | Mellor banda sonora, musical |- | valign="top" | The Heiress – Aaron Copland Beyond the Forest – Max Steiner Champion – Dimitri Tiomkin | valign="top" | On the Town – Roger Edens e Lennie Hayton Look for the Silver Lining – Ray Heindorf Jolson Sings Again – Morris Stoloff e George Duning |- ! style="background:#EEDD82" | Mellor canción ! style="background:#EEDD82" | Mellor son |- | valign="top" | "Baby, It's Cold Outside" de Neptune's Daughter – Música e letra de Frank Loesser "It's a Great Feeling" de It's a Great Feeling – Música de Jule Styne; Letra de Sammy Cahn "Lavender Blue" de So Dear to My Heart – Música de Eliot Daniel; Letra de Larry Morey "My Foolish Heart" de My Foolish Heart – Música de Victor Young; Letra de Ned Washington "Through a Long and Sleepless Night" de Come to the Stable – Música de Alfred Newman; Letra de Mack Gordon | valign="top" | Twelve O'Clock High – Thomas T. Moulton, Twentieth Century-Fox Studio Sound Department Sands of Iwo Jima – Daniel J. Bloomberg, Republic Studio Sound Department Once More, My Darling – Leslie I. Carey, Universal-International Studio Sound Department |- ! style="background:#EEDD82" | Mellor dirección de arte, branco e negro ! style="background:#EEDD82" | Mellor dirección de arte, cor |- | valign="top" | The Heiress – Dirección artística: John Meehan e Harry Horner; Decorados: Emile Kuri Madame Bovary – Dirección artística: Cedric Gibbons e Jack Martin Smith; Decorados: Edwin B. Willis e Richard A. Pefferle Come to the Stable – Dirección artística: Lyle Wheeler e Joseph C. Wright; Decorados: Thomas Little e Paul S. Fox | valign="top" | Mulleriñas – Dirección artística: Cedric Gibbons e Paul Groesse; Decorados: Edwin B. Willis e Jack D. Moore Adventures of Don Juan – Dirección artística: Edward Carrere; Decorados: Lyle Reifsnider Saraband for Dead Lovers – Dirección artística e decorados: Jim Morahan, William Kellner e Michael Relph |- ! style="background:#EEDD82" | Mellor fotografía, branco e negro ! style="background:#EEDD82" | Mellor fotografía, cor |- | valign="top" | Battleground – Paul C. Vogel Come to the Stable – Joseph LaShelle Champion – Franz Planer Prince of Foxes – Leon Shamroy The Heiress – Leo Tover | valign="top" | A lexión invencible – Winton Hoch Sand – Charles G. Clarke Mulleriñas – Robert Planck e Charles Schoenbaum Jolson Sings Again – William Snyder The Barkleys of Broadway – Harry Stradling |- ! style="background:#EEDD82" | Mellor vestiario, branco e negro ! style="background:#EEDD82" | Mellor vestiario, cor |- | valign="top" | The Heiress – Edith Head e Gile Steele Prince of Foxes – Vittorio Nino Novarese | valign="top" | Adventures of Don Juan – Leah Rhodes, Travilla e Marjorie Best Mother Is a Freshman – Kay Nelson |- ! style="background:#EEDD82" | Mellor montaxe ! style="background:#EEDD82" | Mellores efectos visuais |- | valign="top" | Champion – Harry Gerstad Battleground – John Dunning The Window – Frederic Knudtson All the King's Men – Robert Parrish e Al Clark Sands of Iwo Jima – Richard L. Van Enger | valign="top" | Mighty Joe Young – Arko Production; RKO Radio' Tulsa – Walter Wagner; Eagle Lion
Oscar honorífico Fred Astaire, "pola súa destreza única e as súas contribucións á técnica dos filmes musicais" Cecil B. DeMille, "distinguido pioneiro do cinema durante 37 anos de brillante mestría escénica" Jean Hersholt, "en recoñecemento do seu servizo á Academia durante os seus catro mandatos como presidente"
Mellor filme en lingua non inglesa Ladrón de bicicletas'' (Italia)
Academy Juvenile Award Bobby Driscoll
Notas
Categoría:Cerimonias dos Óscar Categoría:Cinema en 1949